Playlists 

Joss Moog returns to Robsoul Recordings with something special - 'Prodige', a collaborative release that captures the spark between seasoned mastery and rising talent.

LEYO returns with his most refined and personal album to date

Following the success of his debut album on Cécille Records, released in September 2024, which surpassed millions of streams and firmly established his signature sound, LEYO now returns with his second full-length LP on the imprint - a project that marks both artistic growth and a deeper exploration of his musical identity.

Building further on that momentum, LEYO followed up with his ‘Circus’ EP, a release that quickly became a standout moment, with the title track ‘Circus feat. Easttown’ gaining strong support and resonating widely across dancefloors and reinforcing LEYO’s position as one of the label’s most exciting and distinctive artists.
Now, with his new eleven-track album, LEYO opens the next chapter.

Featuring collaborations with Thierry Ganz, 3DDY and Native, the project showcases LEYO at his most refined and confident to date. Building on the foundations of his debut, he continues to blur the lines between soulful house, disco-tinged grooves and raw, stripped-back club cuts - all while maintaining a sound that is instantly recognisable as his own. Where his first album introduced the world to his unique blend of influences, this new body of work feels more focused, more mature and emotionally resonant. Each track carries its own weight, with moments ranging from intimate, melodic compositions to high-energy dancefloor pieces - true gems that reveal themselves over time.

The project has been a long time in the making, reflecting a period of artistic evolution and dedication in the studio. It captures not only LEYO’s growth as a producer, but also his ability to craft music that connects both on a personal and collective level.

At Cécille, we are incredibly proud to have LEYO as part of our family. Releasing his second album on the label is something truly special for us, and a testament to the journey we’ve been on together so far.

This album is not just a follow-up - it’s a statement.

Hiriketiya is a small, enclosed bay on Sri Lanka's southern coast, where jungle leans toward the water and the days unfold without urgency.
Passing through in early 2025 on the way to Europe, Alex Albrecht spent a week here at MOND's artist residency, allowing the rhythms of the place to quietly shape the work that followed.
During the residency, Albrecht recorded and exchanged ideas with Sri Lankan musicians Dhyan Basho on sitar, Dinelka Liyanage on electronics, Uvindu Perera on double bass and Pasindu Herath on saxophone.
Their performances appear throughout the album, sampled and re-contextualised, influencing its melodic language, pacing and emotional tone.

Much of the music was shaped directly by its surroundings. Field recordings were gathered across Hiriketiya, and instruments were played wherever it felt necessary. This included rocks beside the ocean where waves set irregular rhythms, tall grasslands where wind and insects blend into the recordings, and open decks overlooking the sea. 'Round Table' captures this approach most clearly. Recorded while sitting together overlooking the ocean, a large steel table in front of the group gradually became part of the composition, used instinctively as an unplanned percussive element.

Not everything could be captured. Some of the most meaningful moments occurred before recording was possible. Those sounds exist only in memory, and the album is shaped in part by an attempt to hold onto their feelings.

Rather than documenting the residency in a linear way, the album gathers fragments, recordings, electronic sketches and field sounds, assembling them into a continuous listening experience shaped by place and recollection. MOND owners Jess and Renato foster an environment that supports artists without directing them, creating space for focus, trust and connection.

The result is a record shaped by Hiriketiya's enclosed bay, dense vegetation, heat and night air. Music formed through listening, restraint, missed recordings and the sensation of being temporarily held by a place.

The 5th Groove to Grave release is here. Step into our spaceship and head toward Merov’ Galaxy, a universe where the funk, groove, and electro planets collide. This EP invites you to explore a musical cosmos of irresistible rhythms and richly detailed sound design, perfect for electro-funk lovers.

Each track is built around sharp Rhodes and Clavinet keys, laying down cosmic, groove-heavy foundations. At the heart of the tracks, deep textures and bleepy FX create a hypnotic space, while the synths deliver airy, futuristic leads, giving every cut an interstellar dimension.

Venetia presents The Face of The Deep EP. The rising artist from Belle-Île-en-Mer, delivers an elevated deep house record infused with shades of melancholy and nostalgia, exploring a rich spectrum of moods and emotions through driving rhythms, pulsating energy, and deep, resonant basslines. Crafted for late-night dancefloors or early-mornings, wrapped in warm, immersive textures, culminating in an outro that feels like soundscape frame of a moving film.

DJ Support: Carl Cox, Gorgon City, SethTroxler, BLOND:ISH, Noizu, Sam Feldt, Armin VanBuuren, ALOK, MistaJam, Judge Jules, Martin Garrix,MK, Wax Motif, Dombresky, Danny Howard, Afrojack,Oliver Heldens, MK, Lucas & Steve, ACRAZE & more

Toolroom’s next Sampler showcases 4 big releases from Low Steppa, Rue Jay, Reza, Chuck Roberts, Fedde LeGrand, Crusy, Jem Cooke, Martin Ikin & Hayley May.

Francesco Passantino – Ground EP
With Ground EP, Francesco Passantino returns to essentials.
Five tracks that move through time and matter with natural ease. Ghianda and Terreno K resurface as defining points in his catalog, still carrying their original weight. Orlo reaches back to the late ’90s, channeling a raw, direct tension that reflects an attitude rather than an era.
Ground and Tuffata complete the release with minimal, physical structures: solid kick, subtle internal motion, a restrained palette shaped by live execution. The energy unfolds through repetition and breathes within small variations.
An EP designed for the club, grounded in rhythm and intention.
Rooted. Essential. Direct.

Yes folks, it's time to take it back to the roots...GAMM style.

Our very first release was a beautiful gem from Red Astaire titled 'Follow Me' - a track that defined GAMM's identity and helped pave the way for everything we've achieved since.
Now, 23 years later, GAMM has reached its landmark 200th release.

To celebrate this anniversary and honour our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers. The remixes will be released across three separate 7 inch EPs featuring Soul Supreme, DJ Spinna, Ukokos and Kampinos.

The second instalment of the 'Follow Me' remix / rework series comes from GAMM's finest ghost producers, Ukokus & Kampinos. It doesn't matter who is behind the names; what matters is the quality of the production. The Ukokos version transforms 'Follow Me' into a killer Bruk / UK House monster that is guaranteed to make noise in the clubs, check that mad bass-drop!

On the AA side, Kampinos throws 'Follow Me' into a blender of percussive samba and 90's drum'n'bass rhythms...and it's a beautiful marriage.

Sorry We Play Vinyl are once again not at all sorry to play vinyl and good, frankly, because what they serve up on wax is always going to be well received. 'EDIT7' kicks off this latest with a tightly worked 90s sample woven into a loopy groove that is going to get crowds into a funky lather. 'EDIT8' follows with retro-slanted raver era breakbeats and opulent synth oozing, the odd bleep and a bubbling bass thrown in for good measure. 'EDIT9' completes a varied EP with some smooth and succulent deep house with a US warmth to it. The soulful vocals are smeared through soft drums and it's a perfect late-night tool.

a A1 | Siphonophora - Euforie 140bpm
b A2 | Bidoben - Darts & Vines 142bpm
[c] B1 | Introversion - Duff [142bpm]
[142bpm

[a] A1 | Siphonophora - Euforie [140bpm]
[b] A2 | Bidoben - Darts & Vines [142bpm]
[c] B1 | Introversion - Duff [142bpm]
[142bpm

[a] A1 | Siphonophora - Euforie [140bpm]
[b] A2 | Bidoben - Darts & Vines [142bpm]
[c] B1 | Introversion - Duff [142bpm]
[142bpm

Release 75. Reptant’s third. The reptilian overlord surfaces only once every 25 – right on the jubilee, without fail.

Combining menace and kitsch the way only the Rotterdam greats do so effortlessly, he comes in smooth af on the opening cut. Mainframe-tapping machine funk, almost sounding like the Antipodean lovechild of Kraftwerk and Egyptian Lover.

From there, laced with spite and insectoid detail. Noirish cybernetics delivered with genuine vigour, all across a triple-pronged strike of electro excellence. Properly aerodynamic.
Not a tribute to a classic period – rather, a continuation of what the genre’s forebears built. A tried and tested formula that never loses bite, truly heralding Reptant as a standard bearer for electro in the modern era.
The cold-blooded one, right on schedule.

2 tracks
45 RPM

Compiled by Rey Colino.
Design by AJAM.

2026 colour repress

spaced out, floor focused cuts. recorded by florian meindl and su01

Diffuse Reality presents RVDMNTL - La Fuerza De Mostrarse Vulnerable. A 12" vinyl and digital release built on solid, robust Techno. Four tracks on vinyl, complemented by three additional digital cuts. Powerful sounds, raw textures, and atmospheres that pull you deep into an inner ocean. The vinyl includes remixes by Adriana Lopez and Tensal, adding even more rigidity and intensity with their signature sound. Here, the sound reveals itself as aggressive and abrasive, a record that will go straight into your bag for those moments of pure tension and impact.

New material from our favourite exponents of Afro-psychedelic Funk !

All the beloved FDB styles in play here, a majestic 7" of loose-limbed freak-outs for the faithful.

The second volume of this series is as good as the first with more finely tuned twilight dubs and Balearic chuggers, expertly curated by a master of this form in Pete Herbert. Across two sides, the comp flows between low-slung grooves, deep synth atmospheres and sun-kissed dancefloor moments. Highlights include Statues' warming 'Andromeda' and a powerful synth-driven turn from Imogen Soundsystem, while side two leans further into Balearic romance, from Herbert's nostalgic 'At Zuka to Kasper Bjorke's proto-dancefloor elegance. Cohesive, tasteful sunset music with real substance.

DJ Feedback

Phil Mison/Cantoma/Ambala:
"Great tunes as always , full support. Lovingthe Zuka tune!"

Sean Johnston/ALFOS:
"Killer Petey! Next few ALFOS sets sorted"

Conrad/Idjut Boys:
"Nice selection, totem project rmx has it for me"

Sally Rogers/A Man Called Adam:
"Excellent, dependable DJ fodder from Pete and Co. Thanks for the consistency :) "

Camilo Miranda/Ibiza:
"Nice combo of tracks here ! loving these!!"

Dream Chimney/Blog:
"SF vol 2 is 10/10 every track a winner on here"

Logan Fisher/Try Outs:
"Superb comp. full of goodies"

4Trepanado/Selvagem/Brazil:
"Great compilation! the Pete Herbert Remix for Time is a great weapon to flip the switch at the dancefloor"

Simon Lee/Faze Action:
"Stunning compilation, hard to pick a winner but I'm heading for Pete Herbert - Zuka"

Marco Gallerani/Hell Yeah:
"Beautiful selection!!! loving it. Can't wait for summer now"

Dicky Trisco/File Under Disco:
"Classy release. All winners. Giselle is my fave. Nice one Pedro xxx"

Felix Joy/Rinse FM:
"Sounding great!"

Jaime Fiorito/Ibiza:
"Some cool bits! Time is my favorite!"

Disco Mind keeps the vibes flowing in the New Year with this delicious new collaboration with fellow Italian label Polyamore Artists. It's an extravagant collision of Afro, disco and house styles from Leslie Lello and Paul Older. 'African Layers' opens with rich percussion and organic grooves that bring the heat, then 'Acid Bass' has a more synth-driven sound and electronic edge, but with retro disco motifs. 'There's Light' is a chugger that keeps the pressure on with slapping hits and drum rolls, and 'Winners' then cuts loose with a more sentinel sound full of roomy chords and loved-up whimsy. Useful stuff.

2026 Repress

Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions.
Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and
the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.

Lee Humphreys and Evasive head honcho Rob Pearson returned to the imprint for their 2nd EP together as Lovable Rogues. This followed on from their first collaboration which launched Evasive Records : Look Into Your Eyes / Chica / Twilight Manouvres (EVA001)

For this Ep Rob travelled out to work with Lee in the depths of the German countryside at Lee’s Tofu Studios. EVA003 delivered 3 more tasty underground cuts for main floors and urban warehouse spaces and pleased all the right DJ movers and shakers in the year 2000. It now finds favour in 2024 with Tech House connoisseurs hungry for that early South London Tech sound.

Time Zones delivers some peak time twisted year 2k Tech. Swirling ear candy synths and tripped out almost acidic twangs are the order of the day. A head nodding bass combines with the filtered and sample triggered vocal phrase ‘Eternal Energy Music’. As if the production pair were indeed clairvoyants able to look ahead and prophesize the future state of underground dance floors some 20 years later! This cut has since become a classic requested early noughties gem for those in the know.

On ‘Integer’ Lee Humphreys rides solo to showcase his unique talent and slick production sound. Driving filtered percussion elements and an infectious bass combine with ‘Body Grooving’ vocal cuts and eerie reverse synths and sounds. Lee basically hit this track out of the park here so Rob had no choice but to request this cut and it was snapped up for the EP.

‘Thursday’ see’s Rob & Lee back on the joint production for some Tech Funk shenanigans that are ‘sure to get you high’. Not sure what Mr Humphreys was on to allow Rob to play the lead keyboard solo on this funk fuelled excursion but it stills sounds fresh over 2 decades later.! A very different vibe that has not been equalled or surpassed on Evasive since.

Parris returns to his and Call Super’s can you feel the sun imprint with Drippin’. A four-track love letter to the amber-lit glow of communal field maneuvers in the dusk on his most house-focused and personal release yet.

Continuing the themes explored on 2024’s Passionfruit EP, Parris embarks further down his unparalleled sound path on Drippin’. His latest solo outing draws inspiration from vivid memories of yesteryear, particularly experiences at Watching Trees Festival and various trips to Amsterdam, and subsequently constructed with friends in mind to play out. The resulting four tracks encompasses some of his most intimate material to date.

The title track bursts with measured fervour and a raptor-like throb, percussive configurations in tight pistons which induce rave friction hysterics across the dancefloor melee. Got Me Feelin’ dramatically switches tact, a sentimental roller entangled in swooning pads and R’n’B vocals while swigging lovingly from the ecky spring. True Vargo stomps further with acute hedonism, a sun-descending swooner that flows effortlessly in melodic serenity. Closer Crooning In The Trees leans most wayward, an evolving scene architected by Parris’ uncanny samples and disassociated groove that purrs with wide-eyed wonder. Another stand-out release from one of UK club’s most unique voices.

Soul Quest Records proudly presents SQR021 – Healing EP, the first release of 2026 from label co-founder and London deep house torchbearer Max Sinàl.



More than just a collection of club-ready cuts, Healing EP is a deeply personal body of work. The project is built around a narrative of Max’s mental health journey, with each track representing a different chapter in his life, moments where his mental wellbeing was tested, reshaped, and ultimately strengthened.

First vinyl drop from UKG cult Posh Defects. A much-needed side branch of Frits Wentink's ever-reliable Swap Shop Institute. Six cuts of pure dancefloor heat: wobbling basslines, razor-sharp snares, and a heavy dose of two-step NRG. An essential pack of garage-house bumpers, written, produced, and curated by the artist of many names.

Music Experience

Celestial Echo returns with a proper UK soul classic — The Cool-Notes “I Forgot How To Love You”, back on 12” and cut loud for the dancefloor.

Hailing from South London, The Cool-Notes were one of the UK’s most consistent soul outfits through the late ’70s and ’80s. While many know them for their chart successes later in the decade, this early period shows the band in a formative state — warm basslines, tight rhythm section, rich harmonies and that unmistakable Britfunk feel.

“I Forgot How To Love You” is one of those records that’s quietly done the rounds for years. A favourite of Frederika’s back in the day, it’s about time it has it’s first ever reissue.

Presented on 12” in a clean company sleeve, this edition gives the record a new lease of life.

Celestial Echo is here to put proper soul records back into circulation — Buy or Cry

Janeret & Halo Varga drop deep, tension-filled house vibes perfect for late-night sessions, powered by Franco Cinelli's killer remix that takes it to peak-time heights.

Straight from Byron’s lab, The Actual Proof EP rides that soulful deep-house lane with live‑feeling keys, dusty drums and basslines built to lean on a big system. Jazz spirit, hood attitude and late-night club energy all locked into one heavy wax document for real groove addicts

2026 Repress

Finally repressed. Excitement reverberates through the underground music scene as the legendary DJ Sneak gears up for his latest sonic exploration, the "Galactic Funk EP," set to drop on the iconic Phonogramme Records. This four-track masterpiece showcases Sneak's unparalleled ability to blend classic house vibes with cutting-edge techno elements, delivering a dancefloor experience like no other.This EP comes in a distinctive yellow vinyl, a bold choice that mirrors the vibrant energy encapsulated within the tracks.

Collecting Orders For 2026 Repress

We are thrilled to present the latest EP by renowned artist Satoshi Tomiie, released under the esteemed Phonogramme label. This captivating vinyl takes you on a journey into the pulsating realms of techno and dub techno, showcasing Satoshi Tomiie's unparalleled talent in electronic music production. Three meticulously crafted tracks delivering an immersive and captivating auditory experience. Powerful rhythms, striking basslines, and mesmerizing sonic textures seamlessly blend together, creating a breathtaking sonic voyage. Satoshi Tomiie, has captured the essence of techno and dub techno through this release. By collaborating with Satoshi Tomiie, the french label Phonogramme continue to solidify their reputation as a source ofinnovative and exciting electronic music. This vinyl record is an essential addition for techno and dub techno aficionados, as well as for all electronic music enthusiasts seeking new sonic experiences.

UK producer Tom Carruthers delivers another masterclass for Skylax, diving deeper into the DNA of house music with Deepline, a 5-track journey that connects the raw futurism of the late ’80s to the deep innovations of the early ’90s. Known for his MPC-driven grooves on L.I.E.S., Clone Jack For Daze and Craigie Knowes, Carruthers has become a true guardian of machine funk — always stripped down, always pure. The title track Deepline captures the very essence of house, hypnotic and driving, right at the crossroads of 80s machine funk and early 90s deepness, a timeless groove that feels like the missing link. Dream 12 unfolds as lush and atmospheric, with pads that instantly recall the golden era of early 90s deep house, a reverie made for afterhours and smoke-filled basements. Experience stands as a raw reminder of the four pillars of house — drum machines, bass, minimalism and repetition — metallic, stripped, relentless, pure underground. On the flip, Fantasy explodes with wild energy, channeling the raw spirit of Trax Records and Armando, dirty and direct, a weapon for uncompromising dancefloors. Finally, Folx closes the record with a cosmic edge, its tough jackin’ drums colliding with spacey synth touches to create a bridge between Chicago basements and interstellar dancefloors. Once again, the visual identity is entrusted to the iconic H5 studio (Daft Punk, YSL, Logorama), whose bold modernist artwork perfectly mirrors Carruthers’ stripped yet futuristic vision. Vinyl only. No digital. No compromise.

We welcome you to the third installment of Scala. Each new release on Scala Muziek reflects the evolving mindset of its founder. For the third chapter, Pascal Benjamin delivers Soul Extension EP, an exploration of movement, mood, and the subtle shifts that define his sound. A1: Almost Fact sets the tone with taut rhythms and shimmering low-end pulses, balancing tension and release in constant motion. A2: Shift Happens dives deeper into modulation, its warped stabs and filtered delays gradually building a shifting, evolving energy. On the flip: B1: Extension expands into rolling grooves and atmospheric layers, blending vintage warmth with modern precision. B2: Phases closes with a sparse, contemplative mood—fragmented voices and echoes creating a hypnotic sense of drift. Soul Extension captures Pascal at a point where artist and label move forward as one, shaping the next chapter of Scala Muziek’s identity.

On the A-side JARC completely pull apart and rebuild this disco bonafide classic turning it “Downside Up” and into a slinky, slowly building, fat funky bass line driven excursion. Sneaking different elements throughout the intro leading into the iconic vocals.

On the flip, the duo again build out the groove, turning this Jazz-Prog Rock classic from the mid 80’s into a club friendly, super funky floor shaker.

2025 Repress


First released in 2011 on Winding Road Records, Lovebirds Feat. Stee Downes – “Want You In My Soul” hit No. 1 in the dance charts for 6 weeks and has since become a deep house classic with nearly 30M Spotify streams.

Still championed by legends like Gilles Peterson (closing track at Worldwide Festival multiple times), Groove Armada (Glastonbury 2025), and praised in a recent post by Kevin McKay (Glasgow Underground) as “the song of any summer,” demand has kept original vinyl copies selling for up to £250 on Discogs.

Now, for the first time since its 2011 release, this timeless classic is back. Winding Road have re pressed from the original lacquers with the same artwork, mixes, and etching—identical to the 2011 issue.

A-side: iconic vocal mix on the B-Side: rare bonus track Give Me A Dubf*ck + Hot Toddy’s Detroit-inspired remix

Limited stocks – grab it while you can - before you have to resort to the Discogs mafia again!

Plastico makes a striking entrance with a release that commands attention.

Jojo Hofmockel acts as the bridge between the electro sounds of the mid-1990s and the early minimal wave of the 2000s. The result is a strong, highly personal release, showcasing clear artistic vision and fresh, distinctive creative ideas. The tracks, composed between 2004 and 2006, carry a sound unmistakably rooted in the early years of the century.

Berlin-based duo Disguised land on Mutual Rytm with a splash of signature driving techno on ‘Nightrun’. German-born, Berlin-based pairing Alvaro and Domenik are Disguised, a duo that feels closely connected to their favourite club RSO and its Robus Floor, where most of their musical inspirations happen. They head up their own label, Inherit Records, and also host parties at Berlin's new C115 venue on the Berlin highway. Already this year, they have dropped an impressive collaborative EP with their studio partner and close friend Fabio, aka FANK, who features on this EP with his own vocals. Their sound is always defined by driving drums and hypnotic melodies that build up to intense dancefloor peaks, and here they showcase this to its fullest on their Mutual Rytm label debut via five vinyl-only cuts and three digital bonuses built and crafted to make a lasting impact. The powerful 'Where Thoughts End (ft. FANK)' rises up through the ground like an oncoming train, as drums rumble, synths peel off the groove, and moody voices have you looking over your shoulder. 'Nightrun' is glitchier and more textured, with a fractured energy that keeps you on your toes. 'Crusher Wheels' is a deep, back-lit, and trance-inducing sound made for 4am, while 'Ashes and Algorithms' layers up eerie melodic details with bulky drums for a spare but atmospheric trip. 'All You Find (ft. FANK)' is dubby, greyscale techno with a muscular rhythm and unsettling synths, taut and tensile, balancing right on a knife-edge. Three digital bonuses explore different moods - the subtle melodic touches of 'Silent Pulse', the cosmic energy of 'Sceptre Rd', and the rising optimism of 'Twinfall’.

Transmitting from deep in the Finnish underground, Nazar sends out a signal of mysterious, synthetic auras and shadowy, skittering sequences. From smoky outsider techno to rainy-day electro abstraction, the label’s emphasis is on expression and intrigue as each release reaches across the energetic spectrum of moody machine music.

The first release on Nazar presents a cast of protagonists from the Helsinki scene who share precisely the kind of nocturnal tendencies the label is seeking out. Seasoned duo General Electrix open up the A side with ‘Redshifter’, a silken web of 606-powered electro and warmly haunted synth work that nods to the early years of Autechre. Making an early step out into the public domain, Asyx follows up swiftly with the exquisitely detailed machine funk of ‘kVelorum ‘, where a vivid tapestry of noise, squelch and bleep techno gets smartly woven between airy pad tones and a rock-solid rhythm section.

On the B side, Helsinki mainstay Kaiunta brings a dramatic flourish to mid tempo creeper ‘Phantasm’, matching a densely packed rumble of live drums with sweeps of nervy atmospherics and a murky inversion of the classic gated trance lead. 53X rounds out the Nazar mission towards broad BPMs and fresh ideas with a crunchy swerve towards sample-heavy downtempo laced with a generous dose of psychedelics and angular noise.

NAZAR001 is the kind of record that yields surprises and slots into unexpected moments depending on when and where the needle drops, providing versatile moments for adventurous selectors and continuing the fine tradition of outsider electro and techno from Finland.

DJ support comes from Roger Sanchez, Bob Sinclar, Claptone, Purple Disco Machine, Audiojack, David Penn, Sam Divine, Laurent Garnier, Chloe Caillet, Nicole Moudaber, Carlita, Groove Armada, Barry Can’t Swim, Bakermat, Danny Howard, Gorgon City and more!

Toolroom’s next Sampler showcases 4 big releases from Jesus Fernandez, Alex Preston, CASSIMM and Jewel Kid.

High Cube is the beat-focused brainchild of Brian Foote (Peak Oil, Leech) and Paul Dickow (Strategy, Community Library), two low-key legends of the American experimental underground. After some 30-odd years of making music separately and together, Foote and Dickow are collaborating in earnest for the first time as a duo. For this debut, the pair enforced a simple, stringent set of rules: five instruments, a one-hour timer, and a total ban on overthinking.

The result is a record that is the sound of two old friends unplugging the usual levers and letting the "accident" of their chemistry take the wheel. It is drier, sparser, and decidedly "chunky"—a fictional band stepping into a suit to drive around for a while. It is neither dance nor chill-out, but a moody, complex trajectory defined not by the gear used to make it, but by the narrative mood it compels.

"Volcano Snail” starts things off in a disheveled shuffle, locking into gear with blurred and bubbling effluence. The shimmering dimness is lit low, with a woozy gait that recalls the headiest highs and luminescent lows of Jan Jelinek. “Underwater Welder” is a foggy, neon-lit cruise of skittering low-ends suspended in a permanent fall of color, while “A Dragon’s Treasure is its Soul” offers blown-apart, low-end city pop fragmented into an array of rhythmic detritus. Chordal textures hover in the air as a percussive loop takes its beguiling and frolicking shape.

B-side opener “Yonaguni” shapeshifts in real time, drifting with the grace of a glacier before bobbing in a frigid pool of vibrating clatter, static, and synth stabs. “Ofid+wor” offers a tried and true blitz of braindance, nodding to an endless list of 20th and 21st-century electronic body music. Buoyant closer “Mother of Thousands” holds a gravity-defying tenderness, pirouetting on a breeze with the elegance of effervescent longing. Woven together, the six extended tracks of High Cube are tethered to nothing but the ether—a giant sonic leap of peripheral absurdity from two artists with a lifetime of shared rhythm.

2026 Repress


Straight fire from the vaults! Three deep raw joints including the legendary floor anthems "Live at Palladium" and "Back to my Groove” by the legend Phil Weeks, back on wax with that gritty groove. OG vibes only — limited press, real heads know. Grab Rare Cuts before it’s gone!

Four years ago Andermay released their last album 'El Viaje Inesperado'. We missed the talent of Nemowave and the magical voice of May. It's been way too long but the wait is finally over! The new vinyl of Andermay is an EP including two great tracks.
On A side, El Olvido, a very personal but also catchy new track with an Electro Potato Remix more dancefloor oriented.
The opening track for the album 'El Viaje Inesperado', 1989, was originally intended to be an album instrumental intro but we thought it deserved to be a track itself. So, B side is the whole version of 1989, including a brand new Vocal.

Available on Splatterd red/black vinyl and on black vinil.

Born and raised in Sicily but now based in Berlin, SLV is known for his innovative approach to techno and its various shades. He has released on revered labels like Soma and received support from key industry players who respect his ability to blend old-school vibes with modern production techniques. Away from the club, he also produces music for film soundtracks, adding a sense of cinematic edge to his techno cuts and is a master of both analog and digital technologies - a true audio engineer who crafts unique, compelling sounds. Having previously featured on the labels Federation of Rytm III compilation, he returns to SHDWs Mutual Rytm imprint with his Night Echoes EP to open up October.

Graustufen opens with punch drum programming and scintillating percussion that dances atop the groove as booming bass brings serious weight down low. The superb Grand Cayman is another potent techno weapon, this time with icy synth atmospheres and eerie moods pervading the tightly programmed drums and bass to deliver an unstoppable force. Voids brings urgent funk with its hunched-over, closely stacked kicks and suspensory pads, which never let up and keep you locked in the moment, while Elastik Pho echoes a classic Detroit sound with its soul-drenched beats and serene, uplifting, beautiful hi-tek style. Last but not least, That Night shows SLVs extraordinary range as it brings some soulful vocal loops and optimistic chords over thunderous drums, which are sure to power dance floors through to euphoria. The EP includes two digital bonus cuts: Basic Uno, which is a raw, percussive and heads-down banger, and Persistence Of Memory, which is stripped-back, glitchy and dubby techno for strobe-lit warehouses.

2026 Repress

We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).

Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.

With Black Koyo, Mattias De Craene enters a sound world at once intimate and vast. Born from journeys in Morocco and Brussels, the project traces the rhythms, chants, and spirits of the Gnawa tradition, revealing a quiet resonance that echoes De Craene's own search for depth and presence. Guibri, qraqueb, call-and-response chants, saxophone, loops, and electronics come together in a trance-induced dialogue - ritualistic, elemental, and dreamlike - creating a space where listening becomes immersion, tradition meets imagination, and music unfolds as a shared act of reflection and wonder.

About Mattias De Craene
Mattias De Craene's artistic path is marked by rare coherence. As a central voice in Nordmann and MDC III, he developed a physical, rock-inflected jazz language driven by propulsion, volume, and trance-like collective energy. Over time, a period of personal rupture - burnout, tinnitus, depression - shifted his focus inward. The saxophone became a breathing, textural presence, and in his solo work, he weaves saxophone, electronics, loops, and minimal forms into a cinematic, hushed world where repetition, resonance, and silence slow perception. Rooted in ambient and introspection, his music prizes attention over impact, precision over excess - a quiet intensity recognized with a nomination as Musician for the Music Industry Awards (MIA's).

About Black Koyo
Black Koyo is a Brussels-based ensemble and one of the most compelling voices of the Gnawa tradition outside Morocco. Led by maalem Hicham Bilali, the group brings guibri, qrraqueb, and call-and-response chants to life with trance-like intensity and ritual precision. Their music is both rooted and contemporary, weaving earthbound rhythms and vocal invocations into ecstatic, immersive soundscapes, creating a space where ancestral resonance meets present-day imagination.

About Jan Bang
Jan Bang is a pioneering Norwegian producer and musician, celebrated for his mastery of live sampling and his ability to merge electronics with improvisation, rhythm, and texture in real time. He mixed the album and occasionally joins live performances, bringing his signature approach to sound as co-founder of the influential Punkt Festivaland collaborator with artists such as Jon Hassell, David Sylvian, Arve Henriksen, and ECM Records' roster. As a performer and sound architect, Bang creates immersive, trance-like sonic textures where silence and sound carry equal weight. Within Mattias De Craene ftBlack Koyo, his live sampling becomes an organic instrument, weaving saxophone, electronics, and Gnawa rhythms into hypnotic, physically charged soundscapes.

Line-up & credits
Mattias De Craene - sax, electronics | Hicham Bilali - guibri, vocals, qraqueb |Ismael Akhraz - vocals, qraqueb | Marwan Abantor - vocals, qraqueb
All tracks are original gnawa traditionals played by Black Koyo and arranged by Mattias De Craene.
Album produced & recorded by Mattias De Craene in Essaouira, Morocco and hometown Ghent, Belgium 2025.
Text by Hicham Bilali.
Mixed by Jan Bang at Punkt Studio
Mastered by Lieven Van Pee
Artwork by Marina Sviridova
Design by Benoit Van Geel
Manufactured and distributed by N.E.W.S.
Executive production by W.E.R.F. records
Supported by Flemish Government, Jazzlab, nona, HA Concerts, Aubergine artist Management,
KAAP, La Bestia (Wout Van Putten) & mdcmu.sic vzw.
2026 (c) W.E.R.F. records

Peace World Records returns with Hidden Atmospheres, the debut release produced by Max F and mixed by Space Ghost. Drawing from classic deep house and esoteric club sounds of the '90s and early 2000s, this seven-track collection channels these influences into fresh territory while preserving the digital grit and dreamlike essence of the era.

The release strikes a delicate balance between the meditative and the kinetic. On the A Side, tracks “Soul Control” and “Zone 6” highlight subtle yet hard-hitting percussion grooves and deep basslines that anchor the mix beneath ethereal pads and sweeps. Each track builds through hypnotic, evolving arrangements that reward close listening. On the B side, “Dream Channel” and “Earth Effects" both feature airy, spectral synth progressions that interweave with ephemeral yet decisive melodies, demonstrating a refined insight of space and dynamics. To round things off, Space Ghost took a crack at an energetic club remix of “Dream Channel. ” Carried by a classic 909 house rhythm and a bubbly bassline, the remix offers a fun, uplifting take on the original, complete with organ stabs and MIDI sax!

As a whole, Hidden Atmospheres delivers something new for fans of 90s and 2000s era house music. Think Ronin, Hanna, Chris Brann, Wamdue Kids—artists whose work holds its own in the club while remaining equally suited for intimate late-night listening. Throughout the record, tracks drift seamlessly between shimmering dancefloor functionality and liminal, introspective ambience, inviting repeat listens that reveal new details and "hidden atmospheres" with eachpass.

Hidden Atmospheres lands on Peace World Records April 9th, 2026.







g B3. Dream Channel Space Ghost Club Remix

Drawing inspiration from the novel Neuromancer, Drew Id’s cosmic new single launches us deep in to the solar system.

Interstellar Dub started as an experiment in minimal dub techno, but was eventually overwhelmed by dirty spring reverbs and phasing hi-hat delays. A heavyweight rhythm and a hypnotic bass form the foundation, while extra-terrestrial melodies and synthetic skanks add spice and colour to this off-world stepper.

On the meditative Aphid Steppa, dreamy guitar and melodica licks interplay with snarling synths and a percussion based rhythm, propelled along by a solid bassline, before finally giving way to a deep space outro.

The Meanjin / Brisbane based producer first came to prominence as guitarist for reggae band Kingfisha, but has slowly been building a profile for his dubwise productions, inspired by the UK steppers scene and Australia's outdoor bass culture, with releases on Culture Dub, Dubmission and Sub Channels.

Chronicle continues his journey through the cosmos on Spatial bringing a stunning array of inspired atmospheric bliss with Aqua Pura. A1 - Pure Alchemy Chronicle opens his latest EP for Spatial with a sprightly track, introduced with purposeful synthwork, echoing effects and a wonderful 808 bassline reminiscent of the late 90's Progression Sessions era. Energetic, layered breaks drive and build throughout Pure Alchemy with joyous vigor, while a cluster of subtle melodies intertwine across a varied and memorable mix from the label regular. A2 - Endless Ocean Next up Chronicle treats us to an amazing array of atmospheric synthwork with Endless Ocean, notes yoyoing across the soundscape through a gorgeous intro. Flecked with shimmering, buoyant melodies and bringing an immediate injection of pace, the breaks drop delivering a driving, distinctively head-nodding energy punctuated by a blippy micro melody and suitably deep bass. AA1 - Shared Consciousness Opening with a playful intro featuring subtle hi hats, twisted bells and a classic film sample, Chronicle deftly juggles excitable effects with his inimitable cheery atmospheric style before a real feast for the ears and the feet arrives - breaks reminiscent of those long lost nights at Shepherd's Bush in 1998 bring an essential hypnotic energy to a track simply dripping with style and rhythm. AA2 - Water World Straight into the action with crisp two-step breaks, Water World needs no introduction as a myriad of atmospheric effects, samples and quirky melodies seize your attention for a decidedly dancefloor-friendly track for 160bpm heads. Beautiful breakdowns play their part as well as the subtle yet room-filling 808 bass, rumbling persistently beneath another remarkable track from one of Bristol's finest.

MP06 introduces DHAEUR to the Moving Pressure catalogue. The Berlin-based producer carves his sonic worlds through a strong sense of rhythmic architecture and a deep understanding of dancefloor dynamics. Here, he channels club-driven sensibilities into a mature and conscious 4 tracker.

The concept behind the EP reflects the principles of the label - namely, the pressure of sound and its resulting movement. Minimalism meets maximum technical intention, where swollen basslines and tightly coiled rhythmic progressions open up in signature DHAEUR style. The groove carries a distinct elasticity, punctuated by vocal inserts that add a subtly funky, almost soulful essence to the flow. Every element sits with purpose: dynamic yet
stripped back, intricately offset in ways that keep the body locked and the mind wondering. While the A-side leans into this physical immediacy - driving, playful, and sharply articulated - the B-side slips further into the tunnel. Atmospheres thicken and the palette turns eerier, stretching its essential rhythmic backbone into darker territories. Spatial details begin to seep through the structures, pulling the listener deeper while maintaining that firm gravitational pull toward the dancefloor.

Together, the two sides reveal different shades of DHAEUR's language. The result is a beautifully balanced narration between propulsion and immersion, where groove-led functionality meets a more shadowy, atmospheric depth.

Contemplating the role of the album format in an attention-deficient society, Speedy J presents Walkman -- a constantly shifting, 90-minute soundtrack to a journey of your choice. Jochem Paap's first solo album in over 20 years is a freewheeling, 20-track testament to his decades-deep studio skill and sonic versatility, running from skewed rhythmic rabbit holes to exploratory tonal abandon. For Paap, the traditional idea of the album had become obscured by listening habits and the non-stop information barrage of our digital lives. Having moved on from his breakthrough years releasing LPs and touring off the back of them, he was more inspired to develop his many-sided STOOR project and feed into a bigger artistic body of work than the temporary shelf-life of a single release. As is natural for any artist, his perspective shifted over time and he found himself drawn back to the idea of an album, realising he connected best with longer releases while he was on a walk, out for a run or generally in transit one way or another. With an endearing call back to the humble Walkman, he selected an hour and a half of material created during studio sessions at the beginning of 2025, perfectly sized to fit on two 45-minute sides of a cassette tape. As has long been the case for his studio practice, there were no fixed intentions when sitting down in the STOOR lab to start making noise -- just a wealth of experience and an expansive set of tools to start exploring with. From hours of jams Paap pulled together standout moments and moulded them into a mixtape-like narrative ranging from two-minute beat nuggets to full-tilt techno workouts and immersive ambient drops. Every sound is intentional, but the overall delivery is instinctive and curious, showing multiple new dimensions to Paap's sound and offering unpredictability at every turn. 'Arp Amp Chasm' opens the album up in a thick blanket of humming, harmonic waves with an electric emotional charge, while 'Ctrssalms17 (Cold Render)' journeys through evocative blooms of melancholic, gritty pads and rugged, half-submerged tech funk. 'Modern Birds (Origin Edit)' reaches skywards with grand sweeps of dynamic, brilliantly rendered synthesis. From the dexterous drum science of 'Drift Vector' to 'Osc Hop (Slow Collapse)'s lurching, beatless swamp of synths, on Walkman even the briefest snapshots leave an impression that lasts beyond the quick-scan cycle of the modern music experience. With his return to the album format, Paap's message is clear --put your headphones on, get outside and lose yourself in the sound of an artist constantly committed to moving forwards.

Following recent releases on Over/Shadow, Future Retro, Loop Progression and Bukva Sound, Peeb makes his debut on Wilderness with the Endless Skies EP, showcasing a deep, blissed out and atmospheric angle to his sound across 4 tracks that capture a sense of wonder, flowing from track to track to take you on another journey.

futura continues its journey with an EP of 4 underground, raw tracks, perfect for the most attentive dancefloor

The eighth release on the BINÄR-Label is an EP consisting of an opening, two peak time and a closing track by Mary Yuzovskaya. The focal point was on the storytelling which includes a deep sound over dance floor oriented cuts ending with a warm hug. The tracks are mastered by Ricardo Esposito.

Per Hammar joins Craigie Knowes for his label debut ‘Sidewinder’ EP. 4 rolling tracks built to maintain and elevate dancefloor momentum. Per Hammar’s production mastery is distilled into these monstrous club jams with every element tailored to serve the rhythm and keep you moving. This record is varied yet coherent package of house, tech-house and minimal flavour; from the rolling bassline on Sidewinder, the minimal chug of Viper, the euphoric uplift of Afterglow, to the thump and swing of Mono Boy. A record for the DJs and listeners alike.

This EP marks the first release from a collaborative project between Tokyo based DJ/producer Iori Wakasa and Okayama's Keita Sano, born from a quiet resonance between their musical sensibilities.

In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.

'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.

The Sixth release on Slow-Wave introduces an acid monster Dexter release, never before pressed on vinyl.

This is an exclusive vinyl series that continues to sell out in pre sale, once it’s gone, it’s gone.

Kr!z steps up for his sixth label contribution with four chilling cuts, pushing his sound into bolder territory than ever. 'Inferno' could mean many things, but at first listen it could be interpreted as a homage to the unforgiving nature of the club experience. Stripped down to the bare essentials, these tracks showcase the efficiency of simple ideas spoken with authority.

Having tirelessly contributed to shaping the UK dance music over the past decades, Special Request needs no introduction. From the underground and resurgences of Jungle all the way through to major Pop music projects, this man can do it all. Timedance welcomes Paul Woolford's infamous alias for the first time here, unleashing the devastating “Uncanny Valley”. Woolford combines his signature comb filter rave synths alongside cavernous breaks for ultimate mindf*ck peak time energy, anticipation has been huge for this one since Paul showcased the track on his social media last year to a huge response.

Alongside the original “Uncanny Valley” comes alongside remixes from two of maddest breaks scientists in our address book. Timedance stalwart Metrist nods to his love of hi-tech neurofunk with devestating technicality and flair, whilst gyrofield adds a more hypnotic and psychedelic angle, leaning into the eeriness of the original.

Proper dancefloor wreckage here from a real power trio.

We’re proud to announce the next release on Traxx Underground by italian artist Bress Underground, bringing fresh energy and a solid selection of underground sounds. This new EP delivers a powerful blend of groove, depth and raw textures, built to make an impact on the dancefloor. A release that perfectly captures the essence of the label and its evolving direction. Stay tuned

Over the past few years, Munich based polymath Lindsey Wang has risen to the forefront of the club scene under her Polygonia alias, creating a stream of spectacular releases where she tirelessly twists techno into a living, breathing ecosystem.

As she appears on Timedance for the first time, Polygonia sculpts a set of four immersive, pressure‐loaded club tracks where earthy psychedelia brushes up against precision‐engineered rhythm, inviting dancers into a zone that feels both ritualistic and sharply futuristic.

“Ceaseless Motion” draws on deep‐focus sound design, restless percussion and subtly warped harmonies, all threaded by a quietly hallucinatory sense of detail that really takes our breath away, and will surely bring the distinctive dancer to the very front of the bass bins.

2026 Repress

Priori returns to Kynant Records for an EP of dubbed-out, eyes-down house and techno.
The Montreal-based artist explores dense, patient grooves, assisted by singular Jamaican voice Gavsborg on the opening track.

Written & Produced by Francis Latreille
Vocals on A1 by Gavin Blair
Artwork by Grant Gibson
Mastered by Anne Taegert (Dubplates & Mastering)

Originally released in the height of the underground disco revival, The Sounds Of Revolution EP has since become a sought-after modern classic. After years out of circulation — and with original copies now trading hands for €80-100 on the second-hand market — this long-requested EP finally returns to vinyl.

Italian producer Giovanni Damico (aka G-Machine / Ron Juan) delivers four timeless boogie cuts that perfectly bridge vintage Italo, cosmic disco and modern club energy. From the euphoric synth hooks of the title track to the robotic funk of “Italians In A Line”, this EP captures everything that made Damico a staple in DJ bags across Europe.

Carefully reissued for a new generation of selectors, this release is equal parts heritage and dancefloor weapon — essential for fans of Italo, nu-disco, boogie and anyone building a serious disco collection. Expected shipping: End of May/begin of June 26.

Baby Rollén and Wilba (Fraise), embark on their new collaborative project Heartbreak Hombres. Straight ahead dancefloor house cuts and no nonsense!

Already drawing support from a diverse spread of DJs including Raresh, Ben UFO, Dr Banana, Eris Drew, Chris Stussy, Wallace, Louise Chen (NTS) and more - the Heartbreak sound is designed for the DJ; a selectors handy weapon at the ready!

Mit Africanism Vol. 5 kehrt das legendäre Afro-House-Kollektiv rund um Bob Sinclar zurück und präsentiert ein kraftvolles, globales Club-Statement voller Rhythmus, Identität und musikalischer Verbindung. Das Album vereint herausragende Produzenten und Artists wie DJ Gregory, Moonlight Benjamin, Boddhi Satva, Arkadyan, Jesús Fernández, Bonga u. v. a. in zwölf Tracks, die moderne House-Produktionen mit afrikanischer Energie, traditionellen Instrumenten und organischen Grooves verschmelzen lassen. Von der voodoo-getränkten Intensität von "Zanmi Kanmarad" über die angolanische Tiefenwärme von "Mulemba Xangola" bis hin zum treibenden Club-Momentum von "Block Party (Baron Remix)" oder "Salsa House" liefert Africanism Vol. 5 ein Panorama aktueller Afro-House-Kultur. Die musikalische Bandbreite reicht von haitianischer Soul-Elektronik über pan-afrikanische Percussion bis zu modernen House-Arrangements mit französischer Produktionshandschrift. Ein hochkarätiges Producer-Album, das die DNA des Africanism-Sounds konsequent fortschreibt: international, zeitgemäß, tanzbar und voller musikalischer Identität.

To celebrate three decades of one of electronic music’s most iconic tracks, ‘Insomnia’ by Faithless will be released as a 12” single on orange vinyl. Featuring classic mixes of the track including fan favourite Armand Van Helden European Vacation Mix as well as the Original Mix, this colour vinyl is housed in a replica die-cut Cheeky Records house bag and will be released on 5th June.

For the label’s new series (BOOEP), and it’s the founder BOOH who opens the dance. Precise, minimalist grooves, crushing bass, robotic vocals and a dark atmosphere form the signature of this EP, which erases the boundaries between techno and tech‑house.

Written Produced & mix by BOOH
mastering By DDA
Artwork by Antoine Provost
Distributed by One Eye Witness

Bladehouse VI continues the series with three cuts from the Bladehouse crew, as usual under Unknown Artists.

The EP presents a trio of tactile, groove-led tracks moving between Tech House, Deep House and Minimal House, with a subtle touch of funk. Each piece develops its own character while falling into a cohesive flow, shaped by a balanced sense of tension and release. It opens with a raw, direct statement, moves into a more hypnotic, driving space, and closes on a stripped-back groove with a distinct bounce—restrained yet effective.

Joe Rolét joins Subtil Records with Get The Frequencies EP.

Get The Frequencies EP contains four stripped-back, heavy-hitting tools built for dark rooms and deep sessions. Sub-bass pressure, dark spaced-out tones and hypnotic movements — no filler, just a functional minimal techno vinyl for DJs who get it.

These tracks were custom built for Subtil Records, aligning closely with the label’s vision of underground, uncompromising music designed for long nights with serious selectors.

The first outing of Ferg’s solo trip is here. Titled Buds Bloom, this well-rounded project delivers a smooth listening experience whilst only scratching the surface of his blossoming sound. Enjoy four tracks that plant the seeds for what’s to come.

Running Hot returns with the third release on his own imprint, delivering four more cuts aimed squarely at the dancefloor.

From the tribal-leaning, peak-time energy of “Body Language” to the deeper swing of “My Love” on the A-side, the record shifts gears into the sunlit grooves of “Horse Of The Year” and the percussive bounce of “Sambódromo”. Equally at home on the festival stage or in a sweat-soaked basement.

Voltage Desire is a five-track EP from Lazer Man moving between raw tension and subtle warmth.

Side A opens with "Woman's Need", an electro house cut built around a rock-inflected bassline and guitar tones that carry a dusty, wide-open edge. "Reactivation" follows with a deeper, more hypnotic approach: pitched-down vocals loop and drift over chords that keep pulling you further in. Side A closes with "Sunris Techy", the most groove-driven of the three, a funky bassline locked in dialogue with shifting synthlines and samples.

Side B shifts into collaborative territory. "Sweet Tide", produced under the Wave Catchers alias with Baldov, is a nostalgic track that will awaken past memories and feelings. The record closes with "Idée Discousu", a co-production with Koffi that blends synthpop with a spooky edge and a story told through vocoder.

Die Vintage Sounds Vinyl Collection präsentiert eine sorgfältig kuratierte Ausgabe ganz im Zeichen der House Music. Der Sampler vereint zeitlose, hochgradig tanzbare Tracks von prägenden Szenegrößen wie Masters At Work, Bob Sinclar, Kings Of Tomorrow, St Germain, DJ Gregory, Joe Smooth und vielen mehr. Funkige Basslines, soulige Vocals und klassische Grooves treffen auf französischen House-Esprit und internationale Club-Anthems. Ein unverzichtbarer Vinyl-Sampler für DJs, Sammler und alle, die House als Lebensgefühl verstehen.

Forest Drive West returns to Mantis with a double pack of crooked, finely chiseled rhythms and porous, tactile atmospherics. Hovering comfortably between the distinct energies of drum & bass and techno, Joe Baker has helped define the creative upsurge in crossover tempos and tones with a practice that focuses on mood and presence rather than genre tropes. His first releases appeared 10 years ago on influential labels like Livity Sound, Rupture and Hidden Hawaii. He reconvenes on Mantis after delivering the first release for the Delsin series back in 2020. The scope across these eight new tracks is steeped in Baker's trademark restraint and subtlety, but equally he explores a broad scope of energies and tempos. From ambient, spacious downtempo and slow-motion, heavily dubbed drum mantras through to crisp, techy drum funk and dancehall-coded swagger, the range within the distinctive Forest Drive West sound is more versatile than ever. It's a range cemented further by the guest appearances on the album, as Patrick Russell comes on board for snarling, D&B-coded workout 'Uromastyx' and DB1 lends his chops to mesmerising closing breakbeat trip 'Planes'. Exquisite sound design with a mysterious streak binds these various approaches together. With club impact matched by spatial immensity, Mantis 1920 furthers the surefooted, intentional sound Baker has been shaping out as Forest Drive West for the past decade.

“One of Berghain’s longest-serving residents, Luke Slater has been defining bleepy, polyrhythmic, industrial-strength techno as Planetary Assault Systems since the mid-nineties. P.A.S albums tend to come together in their own time:

“External signals and signs combine until the recipe feels right, both musically and from being ‘out there’,” Slater adds. “10 years since I released Arc Angel on Ostgut Ton, and it’s a fitting pleasure to combine live show ideas and studio work for the new album, served up with raw energy” That patience runs through his whole Ostgut catalogue; since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each P.A.S. release on Ostgut Ton has been its own quest for discovery, from The Messenger’s search for sounds not yet present in club music to Arc Angel’s focus on melody to the deep hypnosis of Plantae.

His new album, Planetary People has the deliberate imagination and depth of a record that took its time, shaped as much by live rooms and crowds as by the studio.

“Into The Night” creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. “Labyrinth” breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. “Quadrant 10” is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. “Sermon Of The Light Tides” scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. “Brave Cosmo” is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. “Retina Burn” rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again. “Thunder Major” barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. “Beton Brut” marches juggernaut percussion stamping through hall reverb so vast you can visualise the room, the darkest and most unrelenting track on the record. “No Ninja” crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind’s eye. “Ha Jam” is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. “Lynx” lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. “Generation Slip” closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barrelling on into oblivion.

• STRICTLY LIMITED, HAND-NUMBERED COLLECTOR’S BOX — ONLY 350 COPIES
• EXCLUSIVE COLORED BOX WITH REFINED SPOT LACQUER FINISH
• 180G VINYL – EACH RECORD IN AN INDIVIDUAL PRINTED SLEEVE
• INCLUDES OFFICIAL BM BAG, POSTER, AND STICKER — EXCLUSIVE TO THE 20 YEARS BM EDITION
• CELEBRATING 20 YEARS OF BM — 20 SELECTED TRACKS
• AVAILABLE EXCLUSIVELY ON VINYL

20 Years of BM — Anniversary Vinyl Box Set
For two decades, Bondage-Music has stood for timeless underground house music, consistently shaping its own path through deep grooves, warm textures, and uncompromising dancefloor aesthetics. Founded with a clear artistic vision and an enduring passion for vinyl culture, the label has grown into an internationally respected platform for forward-thinking electronic music while always staying true to its roots.
To celebrate its 20-year anniversary, Bondage-Music proudly presents a strictly limited collector’s edition that captures the spirit, sound, and evolution of the label across two remarkable decades.
20 Years of BM brings together 20 exclusive tracks by artists who have played an essential role in the label’s journey, alongside close friends and longtime companions of the BM universe. Carefully curated across five heavyweight vinyl records, the compilation reflects the musical identity that has defined Bondage-Music since day one: deep, soulful, dub-infused, and emotionally driven house music designed for both intimate listening and late-night dancefloors.
The anniversary box features exclusive contributions from artists such as Roger Gerressen, Sascha Dive, Mihai Popoviciu, Steve Bug, NTFO, Markus Homm, Tuccillo, Politics Of Dancing, Rhadow, Andre Kronert, and many more — representing different generations and shades of the Bondage-Music sound.
Pressed on heavyweight 180g vinyl, each record is housed in an individual printed sleeve and presented inside a specially designed colored collector’s box with refined spot lacquer finish. The visual identity of the anniversary edition was created by Pete Bombart — BM’s longtime Head of Artwork, close friend, and an integral part of the label since its early days. His unmistakable artistic language has become deeply connected to the Bondage-Music universe over the years, building a loyal following that extends far beyond the music itself.
Strictly limited to only 350 hand-numbered copies worldwide, the release also includes an exclusive BM bag, poster, and sticker set created specifically for this anniversary edition. More than a compilation, 20 Years of BM is a reflection of the label’s history, community, and enduring dedication to underground electronic music culture. 20 tracks for 20 years — available exclusively on vinyl.
Twenty years later, the journey continues — driven by passion, friendship, and a shared love for timeless electronic music.

Tracklist

VINYL 1 (URSUS)
A1 - ROGER GERRESSEN - PATTERNED SHARDS
A2 - SASCHA DIVE - DUB CHRONICLES #10
B1 - RHADOW – RIPPLES
B2 - LOLA PALMER - SLOW DOWN
VINYL 2 (ARIES)
A1 - ALEXANDER MATCHAK – JOURNEY
A2 - ANDRE KRONERT - BLUE DRIFT
B1 - MIHAI POPOVICIU - TIME GOES BY
B2 - PORNBUGS & FRINK - SAVE OUR SOULS
VINYL 3 (MURIS)
A1 - MARKUS HOMM - MISSING PIECES
A2 - DILBY & PORNBUGS – DECADES
B1 - LOLU MENAYED – FLUX
B2 - CRISTINA LAZIC FEAT. LIKA - WORLDS UNKNOWN
VINYL 4 (LEO)
A1 - STEVE KELLEY & PORNBUGS - CANNING TOWN
A2 - DUST YARD – SHADOWS
B1 - POLITICS OF DANCING – PARTY
B2 - NTFO – BORUGA
VINYL 5 (AQUILAE)
A1 - STEVE BUG & PORNBUGS – SHARED ORBIT
A2 - TUCCILLO – FANTASIA
B1 - STEFAN BRAATZ FEAT. VALENCE – MEMORIES
B2 - EL MUNDO & TAL GROENMAN - MORNING LIGHT

After his successful debut on Limo Trax Yellow, Fragoso is joined by none other than DJ Vibe for a four track collaborative EP. With a career spanning from 1992 to the present day, DJ Vibe has been arguably Portugal’s biggest contributor to the house canon, notable for releases as Underground Sound of Lisbon, hundreds of remixes on labels like Tribal and Twisted, as well as for the prolific catalog of his Kaos Records. ‘The Train’ features 4 tracks tailored for big rooms in the tribal, driving style Vibe made his name with - highly functional and not to be missed.